Saturday, June 22, 2013

Greetings from Richmond!

The Valancourt Books team has now relocated to Richmond, Virginia.  Internet service is not yet active at the new Villa Valancourt, and our furniture and other things are still en route, so we apologize for any delays in responding to emails or updating the website for the next 7-10 days or so.  

Yesterday was the first day of summer, and we hope everyone's summer is off to a great start!  We've released a ton of great new titles over the past several weeks and will be issuing many more in July, so you should have no shortage of great summer reading choices!

Thank you in advance for your patience if it takes us a little longer to respond to your emails, blog/Facebook/Twitter posts, etc.

Tuesday, June 11, 2013

A quick update

We hope everyone's summer is off to a great start!  We have several new releases that should be on sale this week: Barry England's Booker-shortlisted military thriller slash existentialist nightmare, Figures in a Landscape (1968), John Braine's second novel, The Vodi (1959), which M. John Harrison has called a masterpiece of a yet undiscovered genre: Kitchen Sink Gothic, and John Wain's The Smaller Sky (1967), a real gem, and one of my very favorite rediscoveries of ours so far.

Later this month, expect to see Colin Wilson's The God of the Labyrinth (1970), Piers Paul Read's wonderful Monk Dawson (1969), which won him both the Somerset Maugham Award (best novel by an under-35 British writer) and the Hawthornden Prize (best work of imaginative fiction), and one of our major releases, Charles Beaumont's The Hunger and Other Stories (1957).

Those of you who have been following along for a while may remember that our releases from 2005 to early 2007 carried a Chicago imprint, while everything since then has been published from Kansas City.  Starting later this month, you'll notice a new change, as we move ourselves and the press to Richmond, Virginia.  We may also be a little slower than normal at responding to emails or Facebook, Twitter, and blog posts, as we'll be busy moving and unpacking.

Thank you to all our readers out there who have been enjoying our new 20th century series and who have made 2013 the best year ever for Valancourt Books.  We have tons and tons more exciting books yet to release in 2013, so please keep watching the website!

Monday, June 3, 2013

Amazon horrors, part 2

We're actively seeking input from our readers: Do you prefer to purchase books from Amazon and to read e-books on the Amazon Kindle?  Or do you use other booksellers or e-reading devices?  We continue to endure unimaginable frustration with Amazon, and are considering other options to make sure our customers can get the best access to our publications and the best customer service. 

Although purchasing a Kindle download is an easy enough affair, it's not always easy for us to get the books on to Amazon for you to purchase. Case in point: we spent all weekend trying to get Gerald Kersh's Fowlers End available to our UK customers.  Amazon refused to publish it and requested evidence that we had the rights to do so.  So I asked Michael Moorcock, Kersh's executor, who probably has better things to do with his time, if he would be kind enough to write to Amazon and let them know we do in fact have the rights to publish the book.  Here is just part of the Kafkaesque exchange that followed.


From: Michael Moorcock
To: title-submission@amazon.com 
Cc: Valancourt Books 
Sent: Saturday, June 1, 2013 7:30 AM
Subject: (no subject)

Ref. Anna K,
    This is to confirm that I manage the estate of Gerald Kersh and have granted world English language rights in print and e-editions for Fowlers End to Valancourt Books. This is the authorised edition with an introduction by myself.
Yours,
Michael Moorcock



Fearing the worst and just to be safe, I sent my own email, including Michael Moorcock's in the body of mine:


From: Valancourt Books
To: title-submission@amazon.com

Please see the email below confirming we have worldwide rights to distribute this title.  Please make it available worldwide.  This email was also sent directly to Amazon yesterday by the literary executor.
----- Forwarded Message -----
From: Michael Moorcock
To: title-submission@amazon.com
Sent: Saturday, June 1, 2013 7:30 AM
Subject: (no subject)



Ref. Anna K,
    This is to confirm that I manage the estate of Gerald Kersh and have granted world English language rights in print and e-editions for Fowlers End to Valancourt Books.
This is the authorised edition with an introduction by myself.
Yours,
Michael Moorcock



Finally, I got this "response" from a robot which has apparently been designated as "Julia L.":



From: Kindle Direct Publishing <title-submission@amazon.com>
To: Valancourt Books
Sent: Sunday, June 2, 2013 2:30 PM
Subject: Your Amazon KDP Inquiry

Hello,

We are writing to you regarding the following book(s):

Fowlers End (ID 3645176)

Please provide any documentation or other evidence that proves you have retained rights for the book(s) listed above.

Alternatively, you may have the rights holders contact us directly with confirmation that you have retained rights.

Please send any correspondence regarding these book(s) to title-submission@amazon.com with the information requested. Failure to respond to this email may prevent your book(s) from being available in the Kindle store.

Best Regards,

Julia L.
Amazon.com



Aghast (and if my email seems rude, please keep in mind, we go through a similar exchange on every title we publish with these idiots), I wrote back:



From: Valancourt Books
To: title-submission@amazon.com
Sent: Sunday, June 2, 2013 4:53 PM

Are you kidding?  The information was IN THE EMAIL.  It's below.  Please read it -- I made it really big and bold so you can't possibly miss it.  I've sent it repeatedly.  I don't know what else I can do.

[My earlier email, and Mike's, followed.]



The robot responded as follows (and note the cruel irony of the tagline after her signature):



From: title-submission@amazon.com
To: Valancourt Books
Sent: Sunday, June 2, 2013 5:18 PM

Hello,

We’ve made your book available in territories where it appears to be in the public domain based on the information you’ve provided. Your book may not appear in searches in territories where it is not offered for sale.

I'm sorry, but we can't offer any additional insight or action on this matter.

Best Regards,

Julia L.
Amazon.com
Your feedback is helping us build Earth's Most Customer-Centric Company.



Again, I wrote back, in increasing frustration:


From: Valancourt Books
To: title-submission@amazon.com
Sent: Sunday, June 2, 2013 5:21 PM

Is there a supervisor there?  What more can you possibly want than an email from the estate's representative stating that we have permission to publish?  Please put me through to a supervisor or tell me how to contact one.


Of course, I got no response to this (I've made the request repeatedly on other books and have never gotten a response); nor did the separate email I sent to Amazon Customer Service through a different link on their site get a response.  Instead, I just got this:



From: title-submission@amazon.com
To: Valancourt Books
Sent: Monday, June 3, 2013 1:28 PM


Hello,

We are writing to you regarding the following book:

Fowlers End (ID 3645176)

Please provide us with a copy of any legal documentation that verifies you have retained rights for the book listed above.

Please send any correspondence regarding these book to title-submission@amazon.com with the information requested. 

To contact us about an unrelated issue, please visit: kdp.amazon.com/self-publishing/contact-us

Best Regards,

Nic W.
Amazon.com
Your feedback is helping us build Earth's Most Customer-Centric Company.


For now, Amazon is apparently the only game in town, so they seem to think they can treat customers and publishers as terribly as they like without repercussions.  But if this type of thing continues, publishers, vendors, and customers will take their business elsewhere.  We're beginning to look into the possibility of doing so.  We would appreciate any feedback from our readers -- does anyone shop on Barnes & Noble's website or order our titles through other sources?  Would you like to see our e-books available on Nook, Kobo, iTunes, or the Sony Store?  Please let us know.

Saturday, May 25, 2013

Amazon & Censorship (or, to paraphrase Simone de Beauvoir, "Must we burn e-books"?)

As Amazon increasingly gains a monopoly over bookselling in the United States, they're also gaining a really terrifying power to control what you read.

Case in point: we received an email today whose subject line was "Alert from Amazon KDP".  The email says, in its entirety:

Hello,

We’re contacting you regarding the following book(s) that you submitted for sale in our Kindle Store:

The Sins of the Cities of the Plain [Unabridged 1881 text with a new introduction] (Valancourt Classics) (B00926PXEQ)

During our review process, we found that your book contains content that is in violation of our content guidelines.  As a result, we will not be offering this book for sale.    

Our content guidelines are published on the Kindle Direct Publishing website.

To learn more, please see: https://kdp.amazon.com/self-publishing/help?topicId=A1KT4ANX0RL55


Well, I clicked on the link, and it didn't take me anywhere.  So I wrote them back to ask why this historically significant gay text from 1881 does not meet their "content guidelines".  I got a response shortly thereafter, which says:

Hello,

As stated in our content guidelines, found at https://kdp.amazon.com/self-publishing/help?topicId=A1KT4ANX0RL55I, we reserve the right to determine what content we consider to be appropriate. This content includes both the cover art image and the content within the book.

We’re unable to elaborate further on specific details regarding our content guidelines.


Or, to translate: "We don't have to tell you why, and there's nothing at all you can do about it."

Which is fine, I suppose, from a legal point of view.  They're a private company and I wouldn't support, say, forcing them to sell books they didn't want to sell.  But as other e-book readers flop and get left behind in Amazon's Kindle's dust, and as Amazon puts more and more brick-and-mortar bookstores (Borders, anyone?) out of business, they now have, and will continue increasingly to have, nearly unfettered power in determining what you can or can't read.  

Of course, Sins of the Cities of the Plain probably runs afoul of Amazon's "pornography policy", which reads: "We don't accept pornography or offensive depictions of graphic sexual acts", but then, most other books written for readers aged above 18 or so probably do too.  It all depends on how you define "pornography" or "graphic sexual acts."  Curiously, you can buy the Marquis de Sade's books on Kindle (Juliette is $12.07!)  So the "pornography" policy seems, to say the least, a little imprecise.

I'm most irritated by the fact that an email from "Carlos S.", presumably an omniscient arbiter of good literary taste, is all it takes to eliminate one of our books from Amazon, with no right of remonstrance or appeal.

For now, you can still buy Sins and all our other titles in paperback, though if you feel at all certain that this will always be the case, you're more confident (or more gullible) than we are....

Friday, May 10, 2013

Cover art

As you may have noticed, many of our recent releases have included the original dust jacket art from the British first editions.  Particularly in the 1950s, British dust jackets were often strikingly attractive, and where the original jacket is worth reusing for aesthetic or historical reasons, we've been trying to do so.  You'll also notice on the first page of each volume a short paragraph about the artist or designer.  What we wonder is why more publishers don't reuse the vintage art -- for example, this was the original jacket art for John Braine's Room at the Top (1957), by John Minton (1917-1957), a troubled gay artist who killed himself less than two months before the book was published:


We think this is a beautiful image and well worth using for our new edition.  The alternative, I suppose would be something along the lines of the British paperback edition:



Or, take the fun original jacket art for John Wain's picaresque comedy Hurry on Down (1953):



There's nothing really wrong with the cover of the most recent Penguin reissue, but it's not really all that distinctive and certainly doesn't do much to suggest the mood of the book:


One thing that's really striking about some of these very old covers is how remarkably modern they still look after 60 years.  We were really excited to discover the art of Val Biro and even more excited to discover that, born in 1921, he's still alive, and still gets up every day at age 92 to paint.  During the 1950s and 60s, Biro did as many as 3000 British book jackets, including ones by some of the big best-sellers of the time, like J. B. Priestley, Nevil Shute, and C. S. Forester.  Here are the two that he has agreed to let us reuse:






A little bit later than these, but no less notable, is artist Tom Adams (b. 1926), who has very graciously allowed us to reuse his very impressive art for two major novels, Barry England's Booker-shortlisted Figures in a Landscape (1968) and David Storey's Booker winner Saville (1976).  Adams is most famous perhaps for his Agatha Christie paperback covers, but his art adorns the jackets of some of the major British novels of the 1970s, including John Fowles's The Collector and The Magus, Patrick White's The Vivisector, and Storey's Saville.  See his gallery here: http://www.tomadamsuncovered.co.uk/gallery.html. The ominous black helicopter in the England novel becomes an insectlike nightmare in Adams's classic art:


This is the gorgeous, dreamlike painting used for Saville:



Because many of these jackets -- and the overall practice of mid-20th century British jacket design in general -- are so important culturally and historically, and because so many of these illustrations are so delightful, we really enjoy using them and hope you like them too.  What do you think? 

Tuesday, April 23, 2013

Publishing the best in award-winning contemporary British fiction

Since we started publishing in 2005, Valancourt Books has aimed to bring readers the best in neglected and out-of-print Gothic & horror fiction, gay-interest literature, and neglected literary classics.  Recently, we've been amazed to discover that a great deal of critically acclaimed, award-winning British fiction of the 20th century is out of print and often nearly unobtainable, and we wanted to take this opportunity to spotlight some of the recent additions to our list:

Booker Prize

Founded in 1968, the Booker Prize has become the world's most-watched literary event each year. Valancourt Books is thrilled to announce a new U.S. edition of David Storey's Booker winner Saville (1976), which The Observer has called 'the best of all the Bookers'.  Valancourt will also be reprinting Storey's brilliant Pasmore (1972), shortlisted for that year's Booker Prize, and his Radcliffe (1963), in a 50th anniversary edition.


Saville (1976)

"Reading this magnificent book is like drinking pure spring water from cupped hands. It has no false notes, no heaviness of emphasis, no editorial manipulations of plot to prove a point. One becomes so totally involved in the lives of these people that their every word and action becomes charged with meaning. . . . Reminiscent of a nineteenth-century classic." - The Sunday Times

"Mesmerically readable, Saville is a revelation. It is alive with light and a kind of perpetual motion." - The Times

"Saville is not one word too long. It was worth the ten years it took to write for the result of this industry is a clarity of style and a purity of design. . . . An epic narrative, crowded, naturalistic, and riveting." - The Evening Standard

"Not once during its 506 pages did the familiar man with the stop-watch intervene to challenge my total immersion in the life of Colin Saville." - New Statesman

"A major achievement." - Times Literary Supplement

"No one has written of this classic dilemma with such detail and penetration as we find in Saville." - The Listener


Pasmore (1972)
Shortlisted for the Booker Prize

"Swift, clean and painful . . . as good as anything he has done." - Sunday Times


"Memorable." - New York Times

"Violent, shocking, a huge novel, the explosive story of a strange passion . . . a climax never before described in fiction." - Sunday Times

Also forthcoming is Barry England's classic thriller Figures in a Landscape (1968), shortlisted for the inaugural Booker Prize and long out of print.  The novel tells the story of two prisoners who escape in an unspecified country and flee the pursuit of a black helicopter.  The Daily Mail said it 'achieves a tension that is almost unbearable.'





Somerset Maugham Award

The great British novelist and short story writer Somerset Maugham began this award in 1947; it is awarded each year to the writer under the age of 35 of the best book of the past year.  Valancourt Books is proud to be issuing several Somerset Maugham Winners, including the following:


The Dividing Stream (1951) by Francis King
With a new introduction by Paul Binding

"A young novelist on whose future I would willingly gamble . . . I strongly recommend this book." 
- C. P. Snow, Sunday Times

"A most enviable achievement. . . . This author is a genuine novelist whose future work is of importance to the life of the English novel." - Compton Mackenzie

"I find this novel rare, and indeed astonishing." - The Observer



Play Things (1972) by Peter Prince
With a new foreword by the Author

"It is exciting, relevant, a wholesale gift for the top-notch department." - Books and Bookmen

"Agreeably readably ... light-hearted throughout, and altogether this book is a promising beginning to Mr. Prince's career as a novelist." - The Listener



The Cormorant (1986)
by Stephen Gregory
With a new introduction by the author

'[An] artful first novel, reminiscent of the tales of Poe . . . Gregory uses a low-key style and subtle lyricism to build an atmosphere of nightmarish horror in a tale that could become a classic.' - Publishers Weekly 

'[A] first-class terror story with a relentless focus that would have made Edgar Allan Poe proud.' - New York Times 

'[N]o summary can do justice to the subtlety of Gregory's first novel, with its fresh, vivid, sensual prose and its superb descriptive and evocative power. An extraordinary novel - original, compelling, brilliant.' -Library Journal 

'A work of tremendous self-assurance that leaves the reader with a lingering sense of unease and announces the arrival of a considerable new talent.' - British Book News 


James Tait Black Memorial Prize

The oldest annual literary prize in Great Britain, the James Tait Black Memorial Prize has been awarded to the best novel published each year since 1919, and previous winners have included D. H. Lawrence, E. M. Forster, J. B. Priestley, Aldous Huxley, Iris Murdoch, and many other extremely famous writers.  Valancourt Books is proud to be publishing the following James Tait Black winners:


Young Tom (1944), as part of the Tom Barber Trilogy
by Forrest Reid
Edited by Michael Matthew Kaylor




The Ha-Ha (1961)
by Jennifer Dawson

"A remarkably talented first novel . . . [the] heroine is a convincing and sympathetic character, and when her mind begins to shift into the nightmare perspective of schizophrenia the writing creates an atmosphere of quiet terror." - Observer

"Cool, short, tender and occasionally as prettily ruthless as the impact of a stiletto heel . . . twice as alarming because everything is implied rather than explicit." - Tatler

"Interesting, haunting novel." - New Statesman

"A writer of marked originality." - Punch

"A novel about madness which succeeds completely." - Daily Telegraph

"A little masterpiece." - Bookman

"An extraordinary achievement." - Listener

Tuesday, April 9, 2013

Valancourt Books Sale!

[UPDATE (5:30 PM 4/10/13): We're deleting books as people order them, so if it's still listed, it *should* still be available.]

I regret that these offers are only available to U.S. customers because of shocking recent increases in overseas mailing costs.  Uncorrected proof copies are in like-new condition but may contain a small number of typographical errors corrected for the final book, or may have variations in cover art.  Shipping is a flat $5 per order, regardless of how many books you order.

Overstock copies (1 of each unless otherwise noted, first come, first served):
G.W.M. Reynolds, The Mysteries of London ($20, reg. $30)
Charlotte Smith, The Story of Henrietta ($10, reg. $18)
Halloween Specials: James Jenkins the Miser ($5, reg. $10) & The Stranger Knight ($5; reg. $10)

"Scratch & Dent"
We have four copies of Stephen Gilbert's The Burnaby Experiments in new condition, missing their title page ($5 each)

Advance proof copies ($10 each; 1 of each; first come, first served):
Kenneth Martin, Aubade
Kenneth Martin, Waiting for the Sky to Fall
Gerald Kersh, Nightshade and Damnations
Richard Marsh, The Complete Adventures of Sam Briggs

Message on Facebook or Twitter (@Valancourt_B) or contact us through the website form or via email to reserve any books you are interested in.  Thank you!